From Thony Christie at Aeon:
Galileo’s vast reputation, and the hyperbolic accolades that go with it, are not justified by the real history. With a corrected perspective on the man comes a rich and compelling pair of questions: what did Galileo actually achieve, and where does the science superhero image come from?
Ah! At last! A question we can answer. The Galileo of pop science is the science teacher people wish they had, instead of the fourth-rate union dweeb they did have, and were ordered to be grateful to the public school system for.
Having parlayed his discoveries into a new position as court philosopher and mathematician to the Medici in Florence, Galileo’s fame rested largely on those telescopic discoveries and his demolition of scientific opponents in public debates and in his writing. Although his defence of Copernicanism – presented in his book Dialogue Concerning the Two Chief World Systems (1632) – brought him that notorious Inquisition trial and house arrest, it did not, as popular opinion has it, win the day for heliocentricity. That honour goes to the much duller tomes of Johannes Kepler, whose work Galileo had ignored in his own volume.
But the fact that Kepler did the real work doesn’t matter because Kepler wasn’t Cool. Bimbette, Airhead-TV hostess, wouldn’t have understood him.
Galileo’s rise to immortality starts at the end of the 18th century. In this period, scientific biography started to become popular, and Galileo became a favourite subject, largely because of his persecution by the Catholic Church. This effect was immensely magnified by the largely mythical war between science and religion in the late 19th century, waged by two US-based scientist-historians, John William Draper and Andrew Dickson White. More.
Sure, but why does that matter? We live in the midst of a serious war on falsifiability in science, even on the importance of evidence in science.
Some people feel they can just make “narratives” up, so why not make one up about Galileo?
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