“Of all whale species, by far the noisiest, chattiest, most exuberant, and most imaginative is the humpback. It is the noisemaker and the Caruso of the deep, now grating like an old hinge, now as melodious as an operatic tenor” (1). These were the words of the late oceanographer Jacques Cousteau in his epic volume Whales, originally written in French under the more descriptive title La Planete Des Baleines. The male humpback in particular had been a source of fascination for Cousteau’s exploration team precisely because of its exquisite song-making capabilities. Star Trek aficionados will no doubt remember the long-range distress calls of these ocean-faring giants in the movie blockbuster The Voyage Home.
Humpbacks can be heard for hundreds or even thousands of kilometers creating discernible noise sequences or ‘themes’ that can last as long as 20-30 hours (1,2). The available repertoire of vocalizations requires that “bursts of air” be channeled up from the lungs and through the trachea (3). The frequency range of these vocalizations is formidable- 8-4000 Hz (compared to 80-1300 Hz for a singing human; (4)). While certain sounds might serve to maintain contact between distant herds (2) others are clearly used to attract mates in the shallow breeding grounds of the tropics (5).
The sperm whale’s characteristic clicking has likewise been intensely studied and marine biologists have in the last decade described this creature’s ‘pneumatic sound generator’ in great detail (6). Usual clicks serve for echo location while so-called ‘coda’ clicks are used for maintaining the “complex social structure in female groups” (6). Remarkably the amount of air used to make each click is so small that even at depths of 2000 m, where the air volume is significantly reduced, sperm whales can phonate successfully (6). The mechanism of sound generation is exquisitely selective for the two modes of communication: “the marked differences between coda clicks and usual clicks are caused by differential sound propagation in the nasal complex” (6).
Other whale species are known to ‘talk to each other’: blue whales, fin whales, rights and bowheads all display the use of what has tentatively been called a rudimentary language (7). Equally captivating is the auditory apparatus that picks up these sounds (8). Unlike terrestrial mammals, whales sport freely-vibrating ossicles in the middle ear for more sensitive distance hearing:
“The bones of the middle ear, although fused to each other, are not directly connected to the rest of the skull; they are suspended from it by means of ligaments. All around them is a complex network of cavities and sinuses filled with a foamy mucus that further insulates the ear from the skull and provides yet another means by which whales filter out all but the essential sounds.”(9)
What are we to make of the evolutionary origins of these key designs? In the summer of 2009 a seminal publication in the journal Mammalian Biology provided fodder for one popular idea (10). Using the aquatic escape behavior of Bornean mouse deer as primary evidence for their claims, researchers from Indonesia and the Australian National University in Canberra proposed that whales might have descended from ancient members of the ruminant family tragulidae which today includes cattle, sheep, goats and deer (11). Local villagers have observed tragulids submerging themselves in rivers and streams for over five minutes at a time as a way of eschewing would-be predators (10). Read More ›